Stills similar to the one represented in this drawing were used to make distilled liquors and were commonly used in America during the early 19th-century. And their “descendants” are still being found in the mountains of rural America!
A preview of an exhibit planned for 2015 here at the National Archives: “Spirited Republic.”
Eli Barnum & Benj. Brooks Still Design Patent, 1808
This 1918 valentine refers to the World War I effort to economize on food for the war effort—called “Hooverizing” in honor of the U.S. Food Administrator, Herbert Hoover. From the Herbert Hoover Presidential Library… [ Read all ]
Ken Price, the Hillegass University Professor of American Literature and co-editor of The Walt Whitman Archive at the University of Nebraska-Lincoln, needs our help. Mining the records of the Office of the Attorney General here at the National Archives, Price has discovered 3000 documents in Whitman’s hand. His discovery is described in a 2011 Prologue article, “Whitman, Walt, Clerk.”
Portrait of Walt Whitman taken at Mathew Brady’s studio in Washington, D.C. between 1865 and 1867. National Archives Identifier 526439
It seems likely that additional documents exist in archives scattered around the country. The items Price located were written between July 1865 and December 1871, when Whitman worked as a clerk in the Office of the Attorney General. These documents were identified through recognition of Whitman’s handwriting, though in a few rare cases Whitman did include his initials or signature. The documents preserved here at the National Archives were internal office copies of correspondence sent out to a wide array of officials in various states and territories. Although Whitman was often charged with creating the copy of record for the office, he also inscribed outgoing letters. I offered to help Price with his ongoing treasure hunt and I hope you will help us with this search since there may be hundreds, perhaps even thousands, of additional documents in Whitman’s handwriting that have gone undetected … [ Read all ]
Yesterday we were privileged to host two special advance screenings of The Monuments Men, one especially for the staff of the National Archives. Thanks to the generosity of Sony Pictures, Columbia Pictures, and Robert Edsel, author of The Monuments Men upon which the film is based for making this possible. The film will open in theaters around the country on February 7th.
In our East Rotunda Gallery, through the 19th of February, our featured document is an Einsatzstab Reichsleiter Rosenberg (ERR) album that records artwork looted by the Nazis during the Second World War – one of a series of photo albums created for Adolph Hitler’s benefit to document the Nazis’ systematic looting of cultural treasures and to serve as a pick list for his planned museum in Linz after the war. The Army’s Monuments, Fine Arts, and Archives program recruited the group known as the Monuments Men (although there were also Monuments Women), and they used these albums to return treasures to their rightful owners. The volume on display is one of several recently discovered albums donated to the National Archives by Robert Edsel, the president of the Monuments Men Foundation for the Preservation of Art. The newly discovered albums supplement the 40 already in the custody of the National Archives.
General Dwight D. Eisenhower, Supreme Allied Commander, accompanied by … [ Read all ]
The National Archives is proud to join other federal agencies in support of the “It Gets Better Project.” Our participation in this project represents an opportunity for federal agencies and employees to openly talk about issues, share messages and stories of hope, and provide resources for support.
Thanks to all the NARA staff across the country who shared their stories and supported this project. And remember, it truly does get better.… [ Read all ]
The new David M. Rubenstein Gallery, hosting the “Records of Rights” permanent exhibit, which discusses the rights of women, immigrants, and African Americans.
David Rubenstein is a passionate advocate for the National Archives and for educating all Americans about our shared history. His many gifts to us and to other cultural institutions have done much to promote public awareness of our nation’s history. And we are deeply grateful to him for his generous gift to the Foundation for the National Archives that made possible this new gallery, which showcases the long struggle to secure and exercise individual rights for all Americans.
Ribbon cutting ceremony for the new Rubenstein Gallery. From left to right: President of the Foundation’s Board of Directors A’Lelia Bundles, Archivist of the United States David S. Ferriero, David M. Rubenstein, and Congresswoman Nancy Pelosi. (Photo by Margot Schulman from the Foundation for the National Archives)
David is a firm believer in the power of public-private partnerships and I am thankful for the support from our Senate and House Appropriations Committees in matching his gift for this project.
The centerpiece of “Records of Rights” is the 1297 Magna Carta, which David purchased five years ago because he believed the one copy of this … [ Read all ]
Earlier this year, Jessie Kratz was appointed Historian of the National Archives—our first! Jessie has been with the Archives nearly 15 years—most recently on staff at the Center for Legislative Archives.
Over the years, many staff members have informally filled that role in various capacities and I want to thank them for recognizing the importance of our own history. Ironically, the National Archives, the repository of the nation’s history, had no historian of its own. I have come to appreciate the work that the historians across the Federal government do and am so pleased that we join the ranks of those Agency and Congressional historians.
Upon accepting the job, Jessie’s first priority was to create the National Archives History Office to ensure our agency’s history is retained. She is working to make sure the official records created by the National Archives are preserved and accessible for research.
“What is Past is Prologue”, inscribed on Future (1935, Robert Aitken) located on the northeast corner of the National Archives Building in Washington, D.C. Photo courtesy of user: Salticidae on Flickr
Jessie’s office will also be accepting non-record material— this includes memoirs, collections of original photographs and letters, memorabilia, diaries, maps and other historical documents that help tell the story of the National Archives but would not otherwise be preserved in the official records of the National Archives. Please contact her if … [ Read all ]
The Public Interest Declassification Board (PIDB) recently hosted an open meeting to discuss its recommendations to the President on Transforming the Security Classification System, focusing on declassification prioritization. PIDB continues to advocate for public discussion on the report. This meeting represented opportunities to highlight recommendations from the report, continue the conversation about the current declassification system, and discuss the topics citizens want prioritized for declassification.
The meeting also hosted a panel discussion on “Perspectives on Prioritizing Government Records for Declassification and Public Access,” featuring Stephen Randolph, Historian at the Department of State; Joseph Lambert, Director of Information Management Services at the Central Intelligence Agency; Michael Dobbs, Journalist and Scholar-in-Residence at the Holocaust Museum; and Stephen Aftergood from the Federation of American Scientists.
My opening remarks at the meeting were an opportunity to emphasize the importance of the National Archives’ role in this democratic process, and to highlight the work we are doing to eliminate the declassification backlog and modernize records management practices:
When people have open access to government information, they are able to hold government accountable for its actions. This is an essential part of our democracy. As Thomas Jefferson wrote from Paris in 1789: “whenever the people are well-informed, they can be trusted with their own government…whenever things get so far wrong as to attract their notice, they may be relied on … [ Read all ]
Last night I had the distinct honor of welcoming director Steven Spielberg to the National Archives and presenting him with the Foundation for the National Archives’ Records of Achievement Award for bringing our nation’s history to life on the big screen. Also joining us was previous award recipient Ken Burns, who spoke with Mr. Spielberg onstage about history, storytelling, and the National Archives.
From left to right: Executive Director of the Foundation Patrick Madden, Archivist of the United States David S. Ferriero, director Steven Spielberg, filmmaker Ken Burns, and President of the Foundation’s Board of Directors A’Lelia Bundles.
This event was also an important opportunity for me to recognize and thank the terrific staff of the National Archives and the Foundation for the National Archives—the folks who really make my job easy.
If you’re the kind of person who sits through the credits of a movie—as you should be—and you sat through the Lincoln credits, you would have seen staff member Kate Mollan’s name and the National Archives and Records Administration for her help on the research on the 13th Amendment. I believe it is the first time a member of the staff has been named in a major motion picture. Thanks for making us all look good, Kate.
The monumental statues on the Pennsylvania Avenue side of the building honor the Past and … [ Read all ]
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