Yesterday we were privileged to host two special advance screenings of The Monuments Men, one especially for the staff of the National Archives. Thanks to the generosity of Sony Pictures, Columbia Pictures, and Robert Edsel, author of The Monuments Men upon which the film is based for making this possible. The film will open in theaters around the country on February 7th.
In our East Rotunda Gallery, through the 19th of February, our featured document is an Einsatzstab Reichsleiter Rosenberg (ERR) album that records artwork looted by the Nazis during the Second World War – one of a series of photo albums created for Adolph Hitler’s benefit to document the Nazis’ systematic looting of cultural treasures and to serve as a pick list for his planned museum in Linz after the war. The Army’s Monuments, Fine Arts, and Archives program recruited the group known as the Monuments Men (although there were also Monuments Women), and they used these albums to return treasures to their rightful owners. The volume on display is one of several recently discovered albums donated to the National Archives by Robert Edsel, the president of the Monuments Men Foundation for the Preservation of Art. The newly discovered albums supplement the 40 already in the custody of the National Archives.
General Dwight D. Eisenhower, Supreme Allied Commander, accompanied by … [ Read all ]
The National Archives is proud to join other federal agencies in support of the “It Gets Better Project.” Our participation in this project represents an opportunity for federal agencies and employees to openly talk about issues, share messages and stories of hope, and provide resources for support.
Thanks to all the NARA staff across the country who shared their stories and supported this project. And remember, it truly does get better.… [ Read all ]
The new David M. Rubenstein Gallery, hosting the “Records of Rights” permanent exhibit, which discusses the rights of women, immigrants, and African Americans.
David Rubenstein is a passionate advocate for the National Archives and for educating all Americans about our shared history. His many gifts to us and to other cultural institutions have done much to promote public awareness of our nation’s history. And we are deeply grateful to him for his generous gift to the Foundation for the National Archives that made possible this new gallery, which showcases the long struggle to secure and exercise individual rights for all Americans.
Ribbon cutting ceremony for the new Rubenstein Gallery. From left to right: President of the Foundation’s Board of Directors A’Lelia Bundles, Archivist of the United States David S. Ferriero, David M. Rubenstein, and Congresswoman Nancy Pelosi. (Photo by Margot Schulman from the Foundation for the National Archives)
David is a firm believer in the power of public-private partnerships and I am thankful for the support from our Senate and House Appropriations Committees in matching his gift for this project.
The centerpiece of “Records of Rights” is the 1297 Magna Carta, which David purchased five years ago because he believed the one copy of this … [ Read all ]
The Public Interest Declassification Board (PIDB) recently hosted an open meeting to discuss its recommendations to the President on Transforming the Security Classification System, focusing on declassification prioritization. PIDB continues to advocate for public discussion on the report. This meeting represented opportunities to highlight recommendations from the report, continue the conversation about the current declassification system, and discuss the topics citizens want prioritized for declassification.
The meeting also hosted a panel discussion on “Perspectives on Prioritizing Government Records for Declassification and Public Access,” featuring Stephen Randolph, Historian at the Department of State; Joseph Lambert, Director of Information Management Services at the Central Intelligence Agency; Michael Dobbs, Journalist and Scholar-in-Residence at the Holocaust Museum; and Stephen Aftergood from the Federation of American Scientists.
My opening remarks at the meeting were an opportunity to emphasize the importance of the National Archives’ role in this democratic process, and to highlight the work we are doing to eliminate the declassification backlog and modernize records management practices:
When people have open access to government information, they are able to hold government accountable for its actions. This is an essential part of our democracy. As Thomas Jefferson wrote from Paris in 1789: “whenever the people are well-informed, they can be trusted with their own government…whenever things get so far wrong as to attract their notice, they may be relied on … [ Read all ]
Last night I had the distinct honor of welcoming director Steven Spielberg to the National Archives and presenting him with the Foundation for the National Archives’ Records of Achievement Award for bringing our nation’s history to life on the big screen. Also joining us was previous award recipient Ken Burns, who spoke with Mr. Spielberg onstage about history, storytelling, and the National Archives.
From left to right: Executive Director of the Foundation Patrick Madden, Archivist of the United States David S. Ferriero, director Steven Spielberg, filmmaker Ken Burns, and President of the Foundation’s Board of Directors A’Lelia Bundles.
This event was also an important opportunity for me to recognize and thank the terrific staff of the National Archives and the Foundation for the National Archives—the folks who really make my job easy.
If you’re the kind of person who sits through the credits of a movie—as you should be—and you sat through the Lincoln credits, you would have seen staff member Kate Mollan’s name and the National Archives and Records Administration for her help on the research on the 13th Amendment. I believe it is the first time a member of the staff has been named in a major motion picture. Thanks for making us all look good, Kate.
The monumental statues on the Pennsylvania Avenue side of the building honor the Past and … [ Read all ]
With the opening of the “Discovery and Recovery” exhibit, I had a chance last week to thank many of the National Archives staff who made it possible. And it truly took a village to make this happen! Staff from just about every corner of the Agency contributed—preservation and conservation, security, legal, communications, exhibits, digital engagement, innovation, digital preservation, holdings protection, programs, and facilities. Truly a team effort.
Photo of the “Discovery and Recovery” exhibit in the Lawrence O’Brien Gallery. Photograph from the National Archives’ Instagram account: instagram.com/usnatarchives
In my remarks to the assembled staff I tried to convey my pride in their work, but also my pride in the passion and commitment they bring to the job every day. And I was reminded of the closing lines of Donna Tartt’s new novel, The Goldfinch, about the rescue of a painting:
“…if disaster and oblivion have followed this painting down through time—so too has love. Insofar as it is immortal (and it is) I have a small, bright, immutable part in that immortality. It exists; and it keeps on existing. And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along … [ Read all ]
Next week we will be opening an extraordinary exhibit, “Discovery and Recovery: Preserving Iraqi Jewish Heritage,” at the National Archives in Washington, DC. The exhibit, spanning more than 400 years, tells the story of the dramatic recovery on May 6, 2003, of 2,700 books and tens of thousands of documents from a flooded basement in the headquarters of the Mukhabarat, Saddam Hussein’s secret police.
The discovery, named the Iraqi Jewish Archive, included some of the most sacred texts of the Jewish people, including an ancient Torah, Talmud and Zohar—along with tens of thousands of documents relating to the Jewish community in Iraq. Upon the discovery of the documents, we were immediately called in due to our Agency’s extensive expertise in protecting great cultural treasures such as these from decay and destruction.
Led by our Director of Preservation Programs, Doris A. Hamburg, and supported by the U.S. Department of State, the National Archives has for more than a decade taken painstaking efforts to preserve these texts and digitize them for universal public access. Their relentless dedication has ensured that these sacred texts will be kept alive and accessible. The result is a wonderful demonstration of the talent which exists here at the National Archives.
The DPLA provides a single online access point for anyone, anywhere to search and access digital collections containing America’s cultural, historical and scientific heritage. Following the successful launch in April 2013, DPLA continues to grow, regularly bringing in new partners and content. For the latest news, check out DPLAfest 2013, happening right now in Boston!
This large-scale collaborative effort to create a universal digital public library has united leaders and educators from various government agencies, libraries, archives and museums. Together with several large content providers, such as the New York Public Library, the Smithsonian, and Harvard University, the National Archives is sharing content from our online catalog in the DPLA.
In fact, the National Archives has already contributed 1.9 million digital copies of historical material, including our nation’s founding documents, photos from the Documerica Photography Project of the 1970’s, World War II posters, Mathew Brady Civil War photographs, and a wide variety of documents that define our human and civil rights.
“WPA Library Bookmobile,” National Archives Identifier 195912
The National Archives’ participation in this exciting project marks a new opportunity to share our … [ Read all ]
October is American Archives month, a time to raise awareness about the value of archives and archivists and to celebrate that work. One of the ways we are participating this year will be to discuss the work of the Archivist of the United States.
As a kickoff to American Archives Month, I invite you to join us on Google+ for an Ask the Archivist Hangout. I’ll be answering your questions on Tuesday, September 24, 2–2:30 pm, ET, from my office in the National Archives Building in Washington, DC. And if you’re not able to watch it live, the hangout will be posted on YouTube so you can check it out later.
So, what will we talk about? That’s up to you! Send me your questions about what it means to be the Archivist of the United States by posting them in the comments to this blog post, tweet them with the #AskAOTUS hashtag, or post them on Google+ with the same hashtag. I’m ready to answer any questions you might have and I will even show you around my office. I’m eager to hang out with you on September 24!
Original Image: Photograph of Radio Broadcast for the March of Dimes with Margaret Truman and Others, 01/21/1948, National Archives Identifier 199642
Remember: The Hangout is on Tuesday, September 24, 2:00–2:30 pm, ET.
Emery “Joe” Hollerer was my high school English teacher and on Friday night at the 50th Reunion of the Beverly (MA) Class of 1963 we all had a chance to thank him for the role he has played in shaping our lives.
Emery “Joe” Hollerer and David Ferriero
My own love of literature and reading was fostered under his tutelage. He expected us to read at least 50 pages a night and to this day if I miss my quota I feel the guilt!
Senior year this English class was responsible for the high school newspaper and many of us were on the literary magazine staff, so teaching writing was an important part of Mr. Hollerer’s portfolio. Our efforts were returned with a rubber-stamped grading guide he developed—SPLAGM—which was the topic of much conversation Friday night! Spelling, punctuation, logic, arrangement, grammar, and maturity. One of my classmates admitted to him that he had always had someone else write his first and last paragraphs and Mr. Hollerer always praised only the first and last paragraphs of his papers!
Public speaking rounded out the curriculum for this class. Getting up in front of our classmates was pretty traumatic but Mr. Hollerer, as he did in every class, made learning fun. I particularly remember the week we did “demonstration speeches”—explaining how to do something. A friend who … [ Read all ]
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