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Harry Snodgrass has dedicated his life to editing, mixing, and producing sound in films. After his first foray into the business as a student at Temple University’s School of Radio Television & Film, Harry moved to Hollywood where he launched a career as a post production sound supervisor, sound editor, and sound mixer.

After beginning work for 20th Century Fox in 1988, Harry was credited as being one of the first to utilize electronic editing by developing and adapting software tools such as Avid and Digidesign to fit the needs of studio sound editors and mixers.

After his success at 20th Century Fox, Harry was offered a position at Universal Studios where he eventually became the manager of the post-production sound editorial department. While serving as Manager of Editorial, he oversaw a large production staff and worked with other studio departments such as film/TV production and studio operations.

From his work on the cult classic Napoleon Dynamite, to the restoration of the 1958 Orson Welles masterpiece Touch of Evil, Harry’s work spans many film genres. In addition to Touch of Evil, Harry’s sound restoration work includes Rear Window, Vertigo, and The Big Red One. Recognition and appreciation for his multifaceted, 100+ film career has led to multiple Emmy award nominations culminating in a win in 2006 for his work as a sound editor on the film Flight 93

Harry Emmy
Harry accepts 2006 The Emmy Award for Outstanding Sound Editing for a Mini-series, Movie or a Special. Photo Courtesy of IMDb

Harry recently brought his skills and talents to the National Archives and Records Administration where he is now working with the Motion Picture Preservation Lab as a preservation technician.  Although sifting through thousands of hours of fragile World War I and World War II era films and stills can be extremely tedious, Harry has enjoyed working on the myriad of thought-provoking, interesting and unusual films that reside in the NARA vaults.

Harry HD transfer
Harry uses a non-linear editing system to prepare an HD transfer of 35mm film for transcode to access files.; Location: Archives 2 – Motion Picture Preservation Lab, College Park, MD; Photographer: Richard Schneider

In addition to the hands-on aspects of sound/film preservation, Harry also documents and promotes the work that the Motion Picture Preservation team does in the blog The Unwritten Record.

Harry Altra
Harry is setting up the Altra for an HD transfer.; Location: Archives 2 – Motion Picture Preservation Lab, College Park, MD; Photographer: Richard Schneider

The films that Harry and the rest of the Motion Picture Preservation Lab are currently working on will be assessed, digitized and uploaded to the National Archives YouTube channel. Users can view the digitized films as part of this project on this playlist.

NARAtions and The Unwritten Record will continue to highlight the works of the Motion Picture Preservation Lab team in the coming months.



Today’s post comes from Markus Most, Director of the Digitization Division at the National Archives.


Based on feedback from the public and National Archives and Records Administration (NARA) staff in June and October/November of 2014, we are publishing our Strategy for Digitizing Archival Materials for Public Access, 2015-2024. We received a total of 20 comments and incorporated them into our final strategy.

Our revised strategy outlines five approaches that NARA will use to achieve our strategic digitization goal outlined in NARA’s 2014-2018 Strategic Plan:

  • Expanding the focus to new types of partnerships and new types of records. NARA’s Principles for Partnerships can be found here.
  • Crowdsourcing digitization and metadata creation.
  • NARA will engage with Federal agencies to ensure that agency-digitized permanent records can flow into the online catalog.
  • Think digital first: NARA will incorporate a focus on online access into our work processes and enable created digital content to flow into our catalog.
  • NARA will continue to leverage its own Digitization Labs for work that partners and contractors cannot do.

Thanks to everyone that contributed their comments and insights.



Today, the National Archives will roll out the new, updated National Archives Catalog. For over a year, NARA staff worked with the firm Search Technologies to design and develop a robust catalog that will facilitate the Agency’s big, hairy, audacious goal to Make Access Happen. While at first glance, it doesn’t look much different from the Online Public Access (OPA) system, once our users start searching, the differences are apparent.

First and foremost, there’s a new address – check it out at http://www.archives.gov/research/catalog.

Screenshot of catalog search for "Truman"

And now, about what users won’t see – the “under the hood” stuff. First, the catalog is powered by a completely new search engine with improved relevancy rankings and faster response times. The system has been scaled up to initially handle 100 terabytes of data with a future capacity of up to 10,000 terabytes – so we’re more than ready to handle the millions of digital images that have been created through our external partnerships. We’re also pretty excited that the catalog is the second system at the National Archives to be launched completely in the cloud and is fully integrated with the backend system that NARA staff uses to enter descriptions and upload digital content. What does that mean for our end users? Minimal down-time for system maintenance and weekly updates of new content to search and discover.

Once users start searching in the catalog, they’ll see a new look and feel to the user interface (UI). Based on user feedback, the search results have been streamlined into a tabbed interface that groups results. Users who click into a search result that has digital content associated with it will notice an improved viewer that now allows PDFs to be viewed within it, instead of having to download the file. The UI has been optimized for mobile so users can search, discover, and contribute to the catalog on any mobile device.

Let’s talk contributions. Based on the successful transcription pilot in the Citizen Archivist Dashboard, we’ve integrated transcription directly into catalog. We’re proud to note that NARA is the first archives to do that! By registering for an account, users can now not only tag records but they can transcribe them too. Tags and transcriptions will be indexed nightly and fully searchable creating an enhanced level of access that wouldn’t exist without the help of our citizen contributors.

Screenshot of Truman Doctrine transcription screen

Concurrent with the development of the catalog, NARA also developed a public read-write API for the catalog. The API will allow developer communities to use, re-use, and contribute to our data. By Making Access Happen through the API, others can make even more access happen.

We’ll be posting more about the catalog in the next few weeks, explaining new features and highlighting new content. And while we’re excited for the roll-out, the catalog is still a work-in-progress. We’ll be tweaking over time and we want you to be a part of that. Have an idea for an enhancement? Find a glitch? Email us at
catalog@nara.gov
so we can pass it along.



Today’s post comes from Markus Most, Director of the Digitization Division at the National Archives.


Here at the National Archives, we’re working on a new, cross-office project to make accessible audiovisual records of World War I and World War II. We are digitizing public domain films and photographs so that they will be available for everyone to use, from teachers and local community groups to designers and filmmakers.

From the homefront to the front lines, these films and photographs tell stories from many different sides of the American experience. We want to enable communities to use them to tell their own stories at the local level. Our Motion Picture Preservation Lab is hard at work digitizing films from both global conflicts. We’ve made 25 films available and will make over 50 more films available this year. Additionally, to commemorate the 70th anniversary of D-Day, the Motion Picture Preservation Lab undertook a full digital restoration of The True GloryYou can view a selection of films on NARA’s Youtube Channel and try your hand at transcribing and translating them on our Amara page.

A War Department film made during WWII detailing the importance of film for training, morale, and entertainment purposes.

To connect this important historical material with the widest possible audience, we’re partnering with Historypin. Historypin is a non-profit public history project that works around the globe to engage communities around local history content. Specifically for this project, Historypin is surveying customers, developing customer summaries, and helping us reach out to new digital content users. We have already worked with Historypin on many exciting projects over the last few years, including the creation of several collections and virtual tours using our holdings, such as Women’s History collections, the March on Washington tour, the 1968 Democratic National Convention tour, and an indoor view of the White House Renovation under President Truman. We have also contributed to several collaborative projects such as the Hurricane Sandy remembrance project and the Abolitionist Map of America interactive map.

We are currently in the first phase of this project. We have reached out to audiences that have already used similar records from the National Archives, as well as those with plans to run commemoration events around upcoming WWI and WWII anniversaries. This is just the first step in providing better access to these materials, and informing how we curate unique experiences around the footage.  We are looking forward to seeing how this project helps more people engage with our holdings in new and unique ways!

What audiences do you think we should engage with using our new digitized content?



Today’s post comes from Markus Most, Director of the Digitization Division at the National Archives.


Based on your input, the National Archives and Records Administration (NARA) has revised its digitization strategy, and we are once again asking for your feedback!

The National Archives 2014-2018 Strategic Plan puts forth a bold vision for NARA in providing unprecedented access to our records and promoting public participation to accomplish our goals. NARA’s digitization strategy must also present a clear path forward in meeting our goal of public access to NARA records in digital form.

We have reflected on areas in which NARA has succeeded in meeting its digitization challenges, as well as examined those areas in which we have opportunities for considerable growth.

Portrait
The Past is Behind Us, The Future is Ahead. National Archives Identifier 541774

 

Our revised strategy outlines some key approaches to digitization at NARA:

  • Cultivating partnerships with institutions and organizations from a variety of fields and business models to continue and expand on the success of our current digitization partnerships.
  • Encouraging public engagement in the digitization of our records by establishing a Contributor status for donated images and actively working with researchers to gather digital images of NARA holdings.
  • Creating a “culture of digitization” within NARA by incorporating a focus on online access into our work processes.

So tell us, what are your thoughts? The revised strategy is available here: http://www.archives.gov/digitization/strategy.html

Post your comments on this blog post, or email digitization@nara.gov. Please send us your comments by November 14, 2014.

 

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