Jack Corn, a retired photojournalist and professor, came to visit the “Searching for the Seventies” exhibit here at the National Archives, bringing along his family and one of his former students. Why? He was one of the 70 photographers commissioned by the EPA to take photos for the DOCUMERICA project. (His photos from the assignment are available on our Online Public Access research site, as well as in this Flickr set.) I was lucky enough to interview him and his student, D.C. photojournalist Scott Robinson, over the phone.
Starting in 1961, Jack made a point of visiting the Appalachian Mountains to take photographs. He went at least once a year, focusing specifically on one town. As such, he was perfectly prepared to photograph the area for DOCUMERICA.
At the time he went on assignment for the EPA, Jack was working at The Tennessean, based in Nashville. He was on an extended break so that he could focus on photography outside the confines of the newspaper office. “I think I even took a week of vacation time,” he added.
The DOCUMERICA assignment was different from others because he didn’t have a reporter with him. “It made it harder, because reporters take notes and ask questions for you.” Further, his subjects were sometimes “suspicious” of the work he was doing. “They understand when you say … [ Read all ]
Posted by Nikita on April 10, 2013, under The 1970s, Uncategorized.
Tags: 1970s, Appalachia, Chicago Tribune, documerica, EPA, Jack Corn, photography, photos, Scott Robinson, Searching for the Seventies, Seventies, Tennessee, The Tennessean, West Virginia
Amanda’s first step in designing the exhibit was to look for inspirational images. Some of the most intriguing came from the pages of 1970s home design articles, found on an independent blog. What struck Amanda were the supergraphics—large wall decorations popular in the seventies—present in most of the images.
“I remembered them from my childhood, from my parents’ friends’ houses,” she said.
In the exhibit, the supergraphics are meant to create a seventies vibe without detracting from the photographs, which are the true focus.
Amanda chose three theme colors as the exhibit’s three-part organization emerged from the planning process.
First came “Ball of Confusion,” derived from a 1970 song by The Temptations. Jimi Hendrix, who died in 1970, inspired the color purple in the exhibit. According to Amanda, “Purple became a sort of theme.”
When she started looking at warmer colors to balance the purple, she knew that they had to use orange because it was such a staple of the seventies. Orange also fit well with the “Everybody is a Star” section of the exhibit.… [ Read all ]
Posted by Nikita on March 7, 2013, under Uncategorized.
Tags: 1970s, color, design, documerica, exhibit, exhibit design, font, graphic design, Helvetica, Searching for the Seventies, Seventies, supergraphic, wood paneling
Why were neck beards ever socially acceptable? In my humble opinion, they are the facial equivalent of mullets or bowl cuts. Unlike bad haircuts, however, they may have had some useful characteristics. Maybe they kept cold wind from blowing in men’s collars. Maybe their wives objected to prickly beards and mustaches but the husbands still wanted facial hair?
At any rate, two of President Lincoln’s cabinet members had neck beards.
William Fessenden, whose neck hair is on the less-offensive side of neck beards, served as President Lincoln’s Secretary of the Treasury from July 1864 to March 1865. Prior to his appointment, he served as a Whig Representative and then a Republican Senator for Maine, during which time he strongly opposed slavery. Part of the Peace Congress in 1861, he was appointed as Head of the Finance Committee. His fantastic performance on the Committee prompted his appointment as Secretary of the Treasury. He stabilized the national financial situation, then resigned to return to the Senate.
Fessenden headed the Joint Committee on Reconstruction and was responsible for readmitting Southern states to the Union. He recommended procedures based on the Constitution and the Law of Nations and recommended safeguards to prevent future rebellion. He was widely considered the leader of the Senate Republicans. However, during President Johnson’s impeachment trial, he bravely contradicted his fellow Republicans and voted for … [ Read all ]
Posted by Nikita on December 21, 2012, under - Civil War, Facial Hair Fridays, Uncategorized.
Tags: abolition, abraham lincoln, anti-secession, anti-slavery, Cabinet, civil war, Maine, neards, neck beards, Ohio, Postmaster General, Secretary of the Treasury, William Dennison, William Fessenden
In the late 1700s, as Americans fought for their independence, most men were clean-shaven. As we moved into the 1800s, however, facial hair—elaborate facial hair, at that—came back into style.
Despite this shift, many men remained clean-shaven. A smooth face was often considered more professional and refined, but facial hair denoted ruggedness.
It is not a huge surprise, therefore, that many of President Lincoln’s cabinet members had no facial hair.
Montgomery Blair was an abolitionist despite his upbringing in a prominent slave-holding family in Franklin County, Kentucky. He was also one of the founders of the Republican party. President Lincoln appointed Blair as his Postmaster General in 1861, then replaced him in 1864, following Blair’s own suggestion. Blair told his wife that the President “acted from the best motives” and that “it is for the best all around.” He campaigned for Lincoln’s reelection and remained close with Lincoln’s family.
Simon Cameron was orphaned at age nine and apprenticed to printer and editor Andrew Kennedy. He entered into journalism, and later rail line construction and banking, among other business enterprises. He was first elected to the Senate as a Democrat in 1844, but eventually switched to the Republican party. Although Cameron was nominated as a presidential candidate in the 1860 election, he gave his support to Lincoln at the Republican National Convention. President Lincoln named Cameron … [ Read all ]
Posted by Nikita on December 14, 2012, under - Civil War, Facial Hair Fridays.
Tags: abraham lincoln, Cabinet, Caleb Blood Smith, civil war, John Usher, mustache, Postmaster General, Salmon Chase, Secretary of State, Secretary of the Interior, Secretary of the Treasury, secretary of war, Simon Cameron, William H. Seward, William H. Seward Jr.
Since the new film Lincoln has spent a few weeks in theaters, we thought it’d be interesting to learn more about President Lincoln’s fantastically hairy cabinet.
First up is Gideon Welles, who served as President Lincoln’s and then as President Johnson’s Secretary of the Navy from 1861 to 1869, the longest anyone had held the position. Born to an esteemed Connecticut family, Welles had facial hair almost as prodigious as his political presence.
Gideon Welles graduated from what is now Norwich University in Vermont with a degree in law. However, he found he had a knack for journalism and became editor and part owner of the Hartford Times in 1826. That year, he was also elected to the legislature. As a Jacksonian Democrat, Welles supported wide-spread enfranchisement and President Jackson’s anti-bank campaign. In 1836, Jackson appointed Welles as the postmaster of Hartford, Connecticut, until William Henry Harrison removed him in 1841.
When the “slavery issue” emerged in the 1850s, Welles became a major figure in the newly formed Republican party, serving as Republican national committeeman and member of the party’s national executive committee. He also helped establish the Hartford Evening Press to support the party. He was a strong advocate for Lincoln and abolition, and was rewarded with appointment to President Lincoln’s cabinet. Throughout his career, Welles was regarded as an unusually astute, methodical, and … [ Read all ]
Posted by Nikita on December 7, 2012, under - Civil War, Facial Hair Fridays.
Tags: abraham lincoln, Andrew Jackson, andrew johnson, beard, Cabinet, civil war, Connecticut, facial hair, Gideon Welles, journalism, Norwich University, postmaster, Secretary of the Navy