On March 20, join us for a sneak peek at our new exhibit, “Making Their Mark: Stories Through Signatures” before it opens to the public. Many of the documents have never been on display before.
A limited number of lucky folks will get a tour at 1:30 p.m. from curator Jennifer Johnson and a special opportunity to take pictures of the exhibit (photography is otherwise banned in our exhibit spaces).
You can also join us beforehand for a brown-bag lunch at noon with the curator and graphic designer, who will demo our new free eGuide as well as talk about how our curators choose from thousands of documents to create an exhibit.
We’ve got limited space, so register now!
Confirmations will be sent on Tuesday, March 11.
Signatures are personal. The act of signing can be as simple as a routine mark on a form, or it can be a stroke that changes many lives. Signatures can be an act of defiance or a symbol of thanks and friendship. “Making Their Mark: Stories Through Signatures” draws from the billions of government records at the National Archives to showcase a unique collection of signatures and tell the stories behind them.
See a patent created by Michael Jackson; a loyalty oath signed by a Japanese American inside an internment camp; a 1938 letter from a Jewish tailor who wrote … [ Read all ]
Well, we can’t send you to Hollywood, but we can give you two reserved seats to our free film screenings starting on Wednesday, February 26!
The National Archives is hosting the 10th annual free screenings of the Academy Award nominees in four categories—Documentary Feature, Documentary Short Subject, Live Action Short Film, and Animated Short Film.
We’re giving away four sets of reserved tickets. You can choose the screening you would like to attend.
Just look for the hashtag #ArchivesOscar on Twitter, and answer the question! If we pick your reply (selected randomly), you’ll receive two reserved tickets for a screening.
You will have four opportunities to enter on Wednesday and Thursday. Good luck!
The screenings are presented by the Academy of Motion Picture Arts and Sciences in partnership with the Charles Guggenheim Center for the Documentary Film and the Foundation for the National Archives.
Seating is on a first-come, first-served basis. No reservations are accepted. Free tickets are distributed at the Special Events entrance on Constitution Avenue, 60 minutes prior to start time. You must be present to receive a ticket. Theater doors open 30 minutes prior to start time. The saving of seats is strictly prohibited. Please note that some films may not be appropriate for general audiences.
Documentary Feature Nominees
Saturday, March 1, 7 p.m.
Richard Rowley and Jeremy Scahill… [ Read all ]
The slave manifest of the brig Orleans, April 27, 1841 is on display from February 21 to March 30 in the East Rotunda Gallery of the National Archives Building in Washington, DC. Today’s post comes from curator Corinne Porter.
From the birth of the American republic to the abolition of slavery, kidnapping for sale into slavery was a constant threat to free black people in the United States. In 1841, Solomon Northup, a free-born African American from New York, was kidnapped by two white men and enslaved for 12 years in the deep South before he could prove his legal right to freedom. However, his liberation from bondage was exceptional—most enslaved free blacks never regained their freedom.
Abducting free blacks for sale into slavery was outlawed in most of the United States. However uneven law enforcement, the marginal rights of free blacks, and mounting demand for slaves after the end of the transatlantic slave trade made kidnapping an attractive and potentially profitable prospect that encouraged the creation of a reverse underground railroad.
Kidnappers gave their victims aliases to hide their true identities. In his personal narrative, 12 Years a Slave, Solomon Northup recounts that he first heard the name he would be known by as a slave, “Plat Hamilton,” in New Orleans when it was called from this slave manifest (line 33) for the … [ Read all ]
Today’s post comes from Alan Walker, archivist at the National Archives in College Park, Maryland.
A fellow named Ansel Adams visited the National Archives Building in Washington, DC, in 1941. Here’s a record–in pictures, of course!–of his visit.
Adams was at the National Archives to select and print images from the Mathew Brady collection (now in series 111-B and 111-BA) for use in the Museum of Modern Art’s exhibit “Photographs of the Civil War and the American Frontier,” which would open in March 1942.
Here are notes from Vernon D. Tate, head of the Division of Photographic Reproduction and Research, regarding the benefits of a visit by Ansel Adams:
Adams came to the National Archives Building on that same day, and the next:
In September, he again visited, and printed his selections in the Archives’ photo lab. Here is the lab where he worked:
Don’t miss Robert Edsel at the National Archives on February 19 at 7 p.m. This event is free and open to the public. Today’s blog post comes from Miriam Kleiman of the National Archives Public Affairs Office.
The new Monuments Men blockbuster film opens with Herman Goering gleefully viewing looted artwork at a Parisian art museum. The biggest art theft in history–the Nazi’s systematic and looting of more than a million items–was spearheaded and managed by Alfred Rosenberg. For the first time, anyone (who reads German) can read Rosenberg’s diary and peek inside the mind of an architect of Nazi policy and the top art looter of the of the Nazi Regime.
Rosenberg’s diary was collected for possible use as evidence at Nuremberg, where prosecutors noted its importance: “Perhaps foremost among the prize acquisitions [of the captured records] was the neatly crated collection of all the personal and official correspondence of Alfred Rosenberg…” Rosenberg was convicted of crimes against humanity and hanged in 1946.
The bulk of his diary vanished shortly afterwards and has been recovered only recently with the help of Immigration and Customs Enforcement and the Department of Justice. The diary was transferred to the United States Holocaust Memorial Museum on December 17, 2013, and is now available online.
Alfred Rosenberg headed the Third Reich’s Einsatzstab Reichsleiter Rosenberg, or ERR, the main agency for the … [ Read all ]
Posted by Hilary on February 18, 2014, under - World War II.
Tags: Alfred Rosenberg, art history, Einsatzstab Reichsleiter Rosenberg, ERR, germany, Greg Bradsher, Herman Goering, Monuments Men, Nazis, Office of Strategic Services, OSS, Robert Edsel, WWII