Archive for '- World War II'
June 6 marks the 70th anniversary of D-Day. This weekend, the Dwight D. Eisenhower Presidential Library and Museum will commemorate D-Day with two days of events. Follow along on Twitter, Facebook, and Instagram with #DDay70.
And if you can’t make it to Abilene, you can explore National Archives documents and photographs in our special D-Day exhibit “D-Day and the Normandy Invasion,” now live on the Google Cultural Institute.
The “D-Day + 70 Years” commemorative weekend will kick off on Friday, June 6, with a Remembrance Ceremony and rifle salute. There will also tours with the Library staff and you can meet historical reenactors.
At 2 p.m., there will be a showing of The Ritchie Boys, a film about an elite unit comprised of Jewish refugees who returned to Europe as Allied soldiers. Afterwards, Guenther Stern, a former a Ritchie Boy, will give a talk on his experiences.
Stern was born in Hildesheim, Germany, in 1922. He was the only member of his family of five who escaped and emigrated to the United States in 1937. In 1942, after turning 18, Guenther, now called Guy, was drafted into the U.S. Army. He was sent to Camp Ritchie and became a POW interrogator. Two days after D-Day, he arrived in Germany to … [ Read all ]
The National Archives at St. Louis staff extended a special thanks to World War II U.S. Navy Veteran Paul Wittmer on April 14.
During World War II, Wittmer served on six war patrols on the USS Tinosa SS-283. He was part of the crew responsible for the capture of the famed Japanese I-401 submarine taken at the end of the war and returned to Pearl Harbor from Japan.
The I-401 was the largest submarine in the world at the time. It was designed with an air-tight airplane hangar on board so it could surface and launch three torpedo bombers in attacks against enemy vessels or land targets. To prevent this technology from falling into the hands of the Soviets, the I-401 and the only other submarine of its kind to enter service, the I-400, were sunk near Pearl Harbor.
Despite his age, Wittmer has faithfully made his standing Tuesday research room appointment since 2007. His tireless efforts have culminated in a six-volume publication titled United States Submarine Men Lost During World War II, which honors U.S. submariners killed in action during World War II. Each profile … [ Read all ]
Robert Edsel, author of The Monuments Men, the book on which the film was based, will speak at the National Archives tonight at 7 p.m. You also watch online at Ustream: http://www.ustream.tv/usnationalarchives. Edsel and a panel will discuss his books as well as the recent film adaptation. The panel includes our senior archivist Greg Bradsher.
The Monuments Men opened in theaters on February 7, but its origins began at our very own National Archives nearly 20 years ago.
Senior archivist Greg Bradsher has been at the National Archives for 37 years. Early in his career, he processed and appraised records relating to Holocaust-era assets. For him, the story of the Monuments Men is a massive treasure hunt spanning the globe.
“In the mid- to late-1990s, Holocaust-era assets suddenly became a hot topic,” Bradsher recalled. “At the time, I was the Assistant Branch Chief to Research Services at Archives II, so they asked me to become an expert since I already had the knowledge to deal with different researcher interests.”
His expertise came in handy when then-researcher Miriam Kleiman came to Archives II in March 1996 looking for records related to Swiss bank accounts during the Holocaust. Naturally, Bradsher was tapped … [ Read all ]
Posted by Victoria on February 19, 2014, under - World War II, News and Events.
Tags: Bill Clinton, Greg Bradsher, Holocaust, Manet, Merkers, Monuments Men, Robert Edsel, Senate hearings, stolen art, WWII
Don’t miss Robert Edsel at the National Archives on February 19 at 7 p.m. This event is free and open to the public. Today’s blog post comes from Miriam Kleiman of the National Archives Public Affairs Office.
The new Monuments Men blockbuster film opens with Herman Goering gleefully viewing looted artwork at a Parisian art museum. The biggest art theft in history–the Nazi’s systematic and looting of more than a million items–was spearheaded and managed by Alfred Rosenberg. For the first time, anyone (who reads German) can read Rosenberg’s diary and peek inside the mind of an architect of Nazi policy and the top art looter of the of the Nazi Regime.
Rosenberg’s diary was collected for possible use as evidence at Nuremberg, where prosecutors noted its importance: “Perhaps foremost among the prize acquisitions [of the captured records] was the neatly crated collection of all the personal and official correspondence of Alfred Rosenberg…” Rosenberg was convicted of crimes against humanity and hanged in 1946.
The bulk of his diary vanished shortly afterwards and has been recovered only recently with the help of Immigration and Customs Enforcement and the Department of Justice. The diary was transferred to the United States … [ Read all ]
Posted by Hilary on February 18, 2014, under - World War II.
Tags: Alfred Rosenberg, art history, Einsatzstab Reichsleiter Rosenberg, ERR, germany, Greg Bradsher, Herman Goering, Monuments Men, Nazis, Office of Strategic Services, OSS, Robert Edsel, WWII
As the recently-opened movie Monuments Men plays around the country, there’s one macabre story you won’t see on the silver screen.
It’s about the remains of German leaders, including Frederick the Great and Frederick William I.
The Germans had hidden the caskets containing the bodies of the Fredericks and former Weimar President Paul von Hindenburg and his wife in a mine in a remote area to conceal them from the approaching Russian troops. But the war ended, and U.S. troops made it to the mine first and found the caskets. They were in a room divided into different compartments hung with brilliants flags.
Capt. Walker K. Hancock, an officer specialist with the Monuments Men, described the scene: “Crawling through the opening into the hidden room, I was at once forcibly struck with the realization that this was no ordinary deposit of works of art. The place had the aspect of a shrine . . . all suggested the setting for a modern pagan ritual.”
Naval Reserve Lt. George Stout, one of the foremost experts on art conservation, later described the casket in an oral history interview with the Archives of American Art in 1978. In the … [ Read all ]