Tag: art history
Don’t miss Robert Edsel at the National Archives on February 19 at 7 p.m. This event is free and open to the public. Today’s blog post comes from Miriam Kleiman of the National Archives Public Affairs Office.
The new Monuments Men blockbuster film opens with Herman Goering gleefully viewing looted artwork at a Parisian art museum. The biggest art theft in history–the Nazi’s systematic and looting of more than a million items–was spearheaded and managed by Alfred Rosenberg. For the first time, anyone (who reads German) can read Rosenberg’s diary and peek inside the mind of an architect of Nazi policy and the top art looter of the of the Nazi Regime.
Rosenberg’s diary was collected for possible use as evidence at Nuremberg, where prosecutors noted its importance: “Perhaps foremost among the prize acquisitions [of the captured records] was the neatly crated collection of all the personal and official correspondence of Alfred Rosenberg…” Rosenberg was convicted of crimes against humanity and hanged in 1946.
The bulk of his diary vanished shortly afterwards and has been recovered only recently with the help of Immigration and Customs Enforcement and the Department of Justice. The diary was transferred to the United States … [ Read all ]
Posted by Hilary on February 18, 2014, under - World War II.
Tags: Alfred Rosenberg, art history, Einsatzstab Reichsleiter Rosenberg, ERR, germany, Greg Bradsher, Herman Goering, Monuments Men, Nazis, Office of Strategic Services, OSS, Robert Edsel, WWII
As the recently-opened movie Monuments Men plays around the country, there’s one macabre story you won’t see on the silver screen.
It’s about the remains of German leaders, including Frederick the Great and Frederick William I.
The Germans had hidden the caskets containing the bodies of the Fredericks and former Weimar President Paul von Hindenburg and his wife in a mine in a remote area to conceal them from the approaching Russian troops. But the war ended, and U.S. troops made it to the mine first and found the caskets. They were in a room divided into different compartments hung with brilliants flags.
Capt. Walker K. Hancock, an officer specialist with the Monuments Men, described the scene: “Crawling through the opening into the hidden room, I was at once forcibly struck with the realization that this was no ordinary deposit of works of art. The place had the aspect of a shrine . . . all suggested the setting for a modern pagan ritual.”
Naval Reserve Lt. George Stout, one of the foremost experts on art conservation, later described the casket in an oral history interview with the Archives of American Art in 1978. In the … [ Read all ]