It was a long, hard journey to the United States in the early 20th century, but even a successful voyage did not guarantee that the immigrant would be able to enter or stay. Deportation was a threat. When immigrants were deported, it could be because of serious crime like murder or petty crime like theft. The files stated “excluded as a person having been convicted of a crime of moral turpitude.”
But how to stop immigrants from reentering under different names or identities? When they were deported, they were photographed, and their physical characteristics were recorded in writing, from their hat size to the condition of their teeth. (Only Chinese immigrants were also consistently photographed by the authorities, and they resented this suggested link between themselves and criminals.)
Why were these two individuals, Francesco Zaccaro and Dubas Wasyl, deported?
Zaccaro (“small, thin lips, medium chesnut mustache”) arrived from Italy on the SS Hamburg on February 17, 1907, and was headed to his mother-in-law’s house in New York City. However, he was deported and back on the SS Hamburg just three days later. He was excluded due to his crime of moral turpitude: He had served eight days in prison for “applying vile names to a woman.”
“Attachments,” the current exhibit at the National Archives in Washington, DC, tells the stories of some of the millions of people who have entered and left the United States.
One visitor, Pasquale Taraffo, came to the United States three times—once for a concert tour of New York City and California in 1928–29, once as a crew member of a ship that docked in New York in 1933, and once for a concert stop in New York in 1935.
Born in Genoa, Italy, in 1887, the musician began giving guitar concerts at age nine. He eventually switched from the traditional guitar to the harp guitar, a 14-string instrument mounted on a pedestal. Taraffo started touring abroad in 1910, performing on his own and with other musicians. Known as “the Paganini of the guitar”—a reference to the legendary Italian violinist—he was wildly popular around the world and especially in South America.
When he came to the United States, he applied for a visa based on artistic abilities, and probably had to submit evidence of his exceptional talent in order to enter the country. Photo postcards of Taraffo with his harp guitar, along with a handbill for his 1926 concert in Corregio, Italy, were found, but these documents were separated from any of his other documents, mixed … [ Read all ]
His parents were victims of the Nazis when he was only four, and he and his uncle spent two years hiding in the forests of Poland, waiting until the end of World War II.
But the ordeal of Michael Pupa was far from over. He became a “displaced person,” or DP, moving from one DP camp to another until 1951, when Michael, by then 12, and his cousin were flown to the United States and sent to a home for refugee children, then to foster homes in Cleveland.
Michael Pupa’s story does have a happy ending, and it is told in a new exhibit that opens at the National Archives on Friday, June 15, called “Attachments: Faces and Stories from America’s Gates.”
Curator Bruce Bustard says the exhibit draws from millions of immigration case files in the National Archives holdings to tell a few of these stories from the 1880s through World War II.
“It also explores the attachment of immigrants to family and community and the attachment of government organizations to immigration laws that reflected certain beliefs about immigrants and citizenship,” he says. “These are dramatic tales of joy and disappointment, opportunity and discrimination, deceit and honesty.”
Of the individuals chosen randomly to be included in the exhibit, only Michael Pupa is alive, and he and his family … [ Read all ]
Posted by Hilary on June 12, 2012, under - World War II, News and Events, Prologue Magazine.
Tags: Bruce Bustard, displaced person, Holocaust, immigration, Michael Pupa, Miriam Kleiman, World War II, WWII
Happy St. Patrick’s Day!
With all the hoopla over the upcoming release of the 1940 census on April 2, we haven’t really been thinking about facial hair all that much.
But then fellow National Archives staff member Jeannie (of the OurPresidents tumblr blog) sent me this photograph, and genealogy, facial hair, and St. Patrick’s Day all came together.
The mustachioed and bespectacled man to the left is Patrick J. Kennedy, the grandfather of President John F. Kennedy and—like many Americans—the child of Irish immigrants.
His mustache, while of Irish descent, was grown in the United States.
JFK’s great-grandfather was Patrick Kennedy. He left his work as a cooper in his hometown of Dunganstown, County Wexford, and made his way to the United States and settled in Boston.
In 1849, Patrick married another Irish immigrant, Bridget Murphy, who also came from County Wexford. But after just nine years of marriage, Patrick died and left Bridget a widow with four small children. The youngest was Patrick Joseph “P.J.” Kennedy, JFK’s grandfather.
P.J. continued the family line by marrying Mary Augusta Hickey, whose parents were also orginally from Ireland. The couple lived in East Boston and their son, Joseph Patrick Kennedy, was born on September 6, 1888. He was John F. Kennedy’s father.
Many Americans can trace their … [ Read all ]
On today’s date in 1964, “Introducing the Beatles” was released. It was the Beatles’ first album in the United States.
For Janelle Blackwell, the album would have dire consequences, aging her 65 years. In April of 1964, she wrote to the U.S. Labor Department, ending her letter with the statement “I’m 15 and I feel like 80.”
What could cause a teenager to feel like an old woman?
The answer is surprisingly bureaucratic: The immigration status of the Beatles.
Thousands of teenagers had been sent into a froth of distress over the new rules put in place for foreign entertainers by the U.S. Labor Department in April 1964. Misleading newspaper reports started rumors that the Beatles would not be allowed back into the United States.
For Janelle, these reports were too much. Sickened by the thought that the mop-topped foursome could never step foot on American soil, she and three friends had to stay home sick from school. Janelle used her time to write a passionate argument to the Labor Department in favor of her band. Even if they had done something improper, she said, “you must all agree the teenagers of the U.S. want them back.”
Fortunately for Janelle and her fellow American teenagers, the rumors were cleared up, and the Beatles were able to return on several occasions.
It’s been a while since I was a teenage girl, … [ Read all ]