Today’s guest post was written by Miriam Kleiman, who works in the National Archives Public Affairs Office.
George Clooney’s next film—which he will write, direct, and star in—is based on holdings from the National Archives!
Clooney announced last weekend that his number-one priority is to make a film about the “Monuments Men,” a group of cultural scholars and historians who donned Army uniforms to serve the Allies by rescuing, identifying, and trying to return precious artworks looted by Adolf Hitler.
Clooney shared with the press that while the Monuments Men were not trained for combat, they did face live fire and even had to give orders. He offered a possible example: “Don’t aim your tank over there, that’s the Leaning Tower of Pisa!” And it will be a big-budget film, not a small artsy one.
Clooney is now working on the screenplay. The movie will be an adaptation of Robert Edsel’s 2009 book, The Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History.
Edsel is no stranger to the National Archives. His work is largely based on National Archives records, including those of the Office of Strategic Services Art Looting Unit, images from the U.S. Army Signal Corps, and records of the Monuments, Fine Arts, and Archives branch of the Office of Military Government, U.S. Zone (Germany).
In Monuments Men, Edsel praises … [ Read all ]
Posted by Hilary on January 18, 2012, under - World War II, News and Events, Unusual documents.
Tags: Alfred Rosenberg, Bavaria, Captured German Records, Einsatzstab Reichsleiter Rosenberg, Eisenhower, ERR, George Clooney, George Patton, Hermann Goering, hitler, Hitler albums, Hollywood, Jewish art collections, Leaning Tower of Pisa, Monuments Men, National Treasure, Neuschwanstein, Nicholas Cage, Office of Strategic Services Art Looting Unit, Omar Bradley, Robert Edsel, Rose Valland, U.S. Army