This post was written by Criss Kovac. Criss is the supervisor of the National Archives Motion Picture Preservation Lab. So, what would you do if you found what just may be the first color moving image footage of Yellowstone, but it was disguised as black and white images? Well, the staff in the NARA Motion Picture […]
Posted by Audrey Amidon on July 24, 2014, under Motion Pictures.
Today we’re debuting our new name! From now on, the blog of the National Archives’ Special Media Services Division will be known as The Unwritten Record. We’ll feature the same great content—film, photographs, videos, sound recordings, and other non-textual records from the National Archives’ holdings– just with a new and improved name! Media Matters was fine, […]
Posted by Audrey Amidon on July 17, 2014, under Audio Recordings, Born-Digital Photography, Conservation, Declassification Quarterly Reports, Digitization, Electronic Records, Fun Films, Maps, Military, Motion Pictures, Photo of the Week, Photographs, Posters, Preservation, Reference, Universal News Collection, Video Recordings.
This post was written by Heidi Holmstrom. Heidi works in the Motion Picture Preservation Lab, which is responsible for performing conservation and preservation work on motion picture records held across the National Archives. Today is the anniversary of the launch of Apollo 11, the fifth manned mission in NASA’s Apollo program, and the first to land humans […]
Posted by Audrey Amidon on July 16, 2014, under Motion Pictures.
This week we celebrate the National Archives’ 80th birthday. For the motion picture lab, this anniversary was an opportunity to look back to the beginnings of the organization, when the Archives was still in its teen years and William T. Cooper, Jr. posed for photographs with the Depue optical reduction film printer. The photos, taken […]
Posted by Audrey Amidon on June 18, 2014, under Motion Pictures, Preservation.
Jack Lieb went to Europe in 1943 with two movie cameras: He brought his 35mm black and white camera to film war coverage for Hearst’s News of the Day newsreels and his 16mm home movie camera to shoot color film to show to his family back home. After the war, Lieb edited the color footage […]
Posted by Audrey Amidon on June 5, 2014, under Motion Pictures.
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